A billionaire heiress is brutally abducted and held for an impossible ransom. The police investigation at a dead end, it falls to Hennessey, a troubled private detective with a pathological disregard for his own safety, to find her. But, savagely attacked in his own office, Hennessey finds himself lying battered, bruised and watched over by his sinister assailant. How will he ever be able to save both the kidnap victim and himself by the midnight deadline?

Disowned at birth by his obscenely wealthy family, blue-collar Becket Redfellow will stop at nothing to reclaim his inheritance, no matter how many relatives stand in his way.

由美国说唱歌手绰号“50美分”柯蒂斯·杰克逊（Curtis Jackson）主持并担任执行制片人的全新真实犯罪系列纪录片《捉凶50招》（50 Ways to Catch a Killer）将于9月16日在FOX Nation频道首播。 　　杰克逊表示：“真实犯罪之所以有力量，是因为它关乎真实的案件、真实的人和真实的正义。通过这部系列，我希望观众能够感受到这些调查的紧张氛围，以及为揭开真相所付出的不懈努力。我们将以既扣人心弦又真实可信的方式，把这些故事呈现出来。” 　　全片共六集，深入展示了一起谋杀案从第一条线索到改变一切的关键时刻的完整侦破过程。每一集都会聚焦某一独特的破案手法、专家见解或决定性的证据，最终指向逮捕或定罪。杰克逊亲自挑选案件，介绍相关人物，并引导观众穿越重重谜案。

Journalist Sandra Harkow produces a promotional film for the RFID industry. Through a time traveler, she learns about the dark future triggered by RFID chips. Her encounter with the time traveler makes her prick up her ears and she researches the radio chips. The so-called docu-fiction style, which coherently combines real interviews with film scenes, gives the viewer the impression of being part of this reality.

Journalist Sandra Harkow produces a promotional film for the RFID industry. Through a time traveler, she learns about the dark future triggered by RFID chips. Her encounter with the time traveler makes her prick up her ears and she researches the radio chips. The so-called docu-fiction style, which coherently combines real interviews with film scenes, gives the viewer the impression of being part of this reality.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

A burned-out private detective in Las Vegas gets involved in blackmail and murder.

As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test when her husband, a notorious gun-slinger, announces his arrival.

Sam loves facts. He wants to know about UFOs and horror movies and airships and ghosts and scientists, and how it feels to kiss a girl. And because he has leukemia he wants to know the facts about dying. Sam needs answers to the questions nobody will answer.